Yes, it’s that ungodly time of year again, when I’m sitting there with a big fat manuscript and despair in the air around me. And I’ve finally realized, as I flick through 360+ pages with growing alarm, where I’ve went wrong.
Now, if you’re following my advice you need a friend or two to be a Beta reader. That’s a person who will willingly (or unwillingly) sit through your entire book and give you opinions. Grab an online writing friend if you can, or a real one if you’ve got one, someone who writes and/or reads a lot is probably your best bet, because they can offer a real opinion.
If you can’t find anyone like that, grab a friend and tie them to a chair and tell them they’re not leaving unless they read your book. Only do this with not-too close friends though otherwise a) you’ll get “oh, it’s wonderful” as a response to your work. “It’s the best thing I’ve read. You’re a fantastic writer! I can’t correct anything, because it’s so amazing…” and b) dude, you’re TYING THEM TO A CHAIR.
Anyhow, once you have Beta readers (3 or 4 at least is a good number) you shouldn’t just send them your work as it is. No, start on the editing, doofus! If you send them chapter 1 in first draft form, then edit and send again, then edit and send again, you’ll only bore them with over-familiarity and probably stop them picking up useful changes like a spelling mistake. At the very least, proof read it.
If you’re not up to editing yet though, then there’s some hope for you. Because here are my super-amazing-fantastic tips to stop you going insane in advance:
1. Use the advice of a published novelist: write with the door closed, re-write with the door open.
Stephen King said that. And I completely agree. Having people throwing in their cent’s worth before you have a chance to finish your book is always such a bad idea.
2. Resist the temptation to read what you’ve written.
It sounds crazy, but if you read it, you can either think you’re the most amazingest writer that ever lived, or get completely disheartened. Either way is walking down the path of Writers Block. Don’t do it! It also makes editing even harder, which brings me to my next point…
3. Also resist the temptation to edit what you’ve just written.
Okay, it does involve reading what you’ve just written. But please resist from doing it, not only because it breaks my first rule, but my second too. Because editing straight away can wreck what you’ve written. Instead you should…
4. Finish, put your manuscript away and let it breathe.
Think of your book like a fine bottle of wine. Once you’ve written your little heart out, you need to give it some time to relax, so you can get your mind out of the story. If you leave it long enough (I left mine for about a month), you should be able to notice some of the errors you’ve made. Spelling and grammar mistakes are easier to pick out, and you start to see that that amazing sentence you wrote in chapter 8 actually has nothing to do with your book. And that brilliant chapter 10? Passive. You’ve gotten bored reading it back over. Don’t edit it just yet though…
5. Read it all through, preferably in one sitting, before starting to edit . And write a list of everything you want to edit.
Speaks for itself really, because you can’t edit everything in one go. Read it over, start to notice the faults and the good bits. Don’t correct/change anything, but do maybe put a little mark on the top of the page. Printing the novel makes a lot of sense, because you can hopefully read it without thinking Facebook! Twitter! Coffeeandmissingstars! Get back to work! Writing a list of changes you think you want to make is a great way to start. Mine usually looks a little something like: More description of scene D, Develop relationship between characters A and B, reduce tension between characters C and D in chapter 8, include necklace earlier in book, cut pace, rewrite chapter 2…
6. Now go through again, and decide which bits you need to completely re-write.
There will be some. Do them in chronological order, if you can.
7. Add in some of the stuff you never got around to writing.
There will be some things, such as funny speeches, or more dramatic description, that you never got around to putting into your manuscript. Do it now.
8. Now go through again and make any changes to the continuity.
Did you make your hero have brown hair, only for it to be red in chapter 3? Did you maybe kill someone off, and forget about finding the killer completely? (Apparently, that has happened before, and to a successful author.) Did you maybe get bored with a name and change it half-way through? Or forget to input an important item early in your story? (Remember the dramatic principle of Chekhov’s gun? “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.”) Of course there’s some, so go and sort them out!
9. Now write down the word count and divide it by 10. Got a number? Right, now delete at least that many words.
It’s a tip I learned from Stephen King’s On Writing book (which you completely should read, if you’ve got a writing bone in your body.) Your novel, no matter what size, should be slimmer and more compact. If you delete 10% of it, you’ll make it more streamlined. Think of it like wood carving: you have a rough block of wood. By taking a knife and cutting away the bits of wood that you aren’t using, you’re starting to create the shape of the novel you want.
10. Now, you probably hate your life, and want the stupid, smelly old novel to just go away. This is when you go through and proof-read.
There wasn’t much sense in doing it earlier, if you were going to add and delete some stuff. So do it now. And then you’re nearly finished.
11. Give it over to your Beta Readers to destroy.
Now it’s almost out of your hands. This is the bit where you actually open the door. You don’t have to change everything they suggest, but trust me, as a reader, they probably know as much as you. If they’re telling you character A isn’t realistic, trust them, unless your second reader says character A is believable. Then, just leave it. If it’s a tie, it goes to the writer.
And that’s about it. I’m off to wreck my brain over editing. Pity me, fools.